Sunday, June 2, 2019

Philosophic Principles of Creativity :: Philosophy Philosophical Papers

Philosophic Principles of CreativityABSTRACT The principle of universal significance of the creative process is promoted in this thesis. The principles of the environmental science of foundation garment and of the subjects humanistic orientation of the cognitive and practical activity, will also be investigated. 1. Nowadays the promotion of a new world scout substitution class of global creativity has a place.The understanding of the nature of creation in the history of philosophy has always been connected with the explanation of the substance and of the mechanisms of creative activity. If asked - how creation in general is possible, what are its necessary premises and impulses - the answer was given aut of the trinity God /Plato, G.W.F.Hegel, N.Berdyaev/, Nature /Epicurus, B.Spinoza, H.Bergson/, Human Being /C.A.Helvetius, K.Marx, J.P.Sartre/. Such abilities of the human beeng as intuition, imagination and fantasy have been united in the mechanisms of creation. Some thinkers hav e been explaining them through perceiving using the eyes of mind of evidently clear true ideas /R.Descartes, I.Kant, E.Husserl/, many others - just vice versa - opposed those concepts of mind and logic, finding in them the way to roughly instant perceiving of the essence of things - a sign of divine revelation and beneficy /St. Augustine, A.Shopenhauer, E.H.Gilson/.The drumhead difference in the idea of global creativity consists in the admission of the ontological status of creative processes, of their quality of being primary as some maximum totality. The attention is drawn to the subjects purpose - considering activity considered as a certain stage /link/ in the global teleological processes of the universal. Considering the metaphysical predict of view, creation is a fundamental process of spontaneous transcendence of potentials and virtualities, of permanent development in the field of universal posibilities. All of the existing material, semiotic and paragon structures ex pose themselves as certain products /events/ of creative processes. Their former, actual and future existance finally depends on the unalike direction and on the forms of realisation of the potentials of creativity.2. The new world outlook paradigm of global creativity correlates harmoniously with the fundamental principles of modern natural science. It is worth mentioning that the understanding of physical reality as a set of different assemblies of events and relations, having as a result, the behavior of separated substantial material objects /N.Bohr, K.Hubner/. An important methodological role in modern cosmology is played by the so called antropic principle. According to that principle the significance of the universal physical constants - and that means all the outlook of the Universe known to us - is the only one possible for the appearance and existence of the human being in it /S.

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